Check out these 3d printing exhibition china photos:
Maximalism meets Minimalism Stedelijk Museum Amsterdam immersion into a black Malevich square by Queen Maxima & the 1915 Manifesto by Kazimir Malevich
Image by Imaginary Museum Projects: News Tableaus
Maximalism meets Minimalism Stedelijk Museum Amsterdam immersion into a black Malevich square by Queen Maxima & the 1915 Manifesto by Kazimir Malevich
‘Chiffon’ hat meets ‘craquelé’ painting or the recuperation (appropriation) of a revolutionary notion, when royals open exhibitions of the perform of revolutionary artists and all intend is commodified into just an aesthetic expertise. Or would Queen Maxima have had a real knowledge of the ‘the intend’ of Kazimir Malevich when he made his Suprematist paintings.
Does she know his 1915 manifesto in which he writes: "The square is a living, royal infant. It is the first step of pure creation in art"? Does that explain the way Maxima had a close look in the course of her round of all the operates on display in the Stedelijk Museum in Amsterdam?
Was she prepared to take the threat, by receiving so close at this revolution in painting, as Malevich explains: "Any painting surface is far more alive than any face from which a pair of eyes and a grin jut out. A face painted in a image provides a pitiful parody of life, and this allusion is only a reminder of the living."
Maxima did survive this opening celebration, but what went on in her mind, could be haunting her for the rest of her days. She must have heard the voice of Malevich sipping by way of the craquelé of his paintings and his radical statement from a time that was full of revolutionary turmoil at the end of the royal reign more than Russia: "I tell you, you will not see the new beauty and the truth, till you make up your minds to spit."
Hereby a selection from the famous 1915 Malevich Manifesto "From Cubism and Futurism to Suprematism: The New Realism in Painting"
—–
"Only with the disappearance of a habit of thoughts which sees in photos tiny corners of nature, Madonnas and shameless Venuses, shall we witness a operate of pure, living art."
[p.1]
"Things have disappeared like smoke to obtain the new artistic culture, art approaches creation as an finish in itself and domination more than the forms of nature."
[p.1]
"Thus they are unable to see the new beauty of our modern day life. For they live be the beauty of previous ages."
[p.two]
"And I say: That no torture-chamber of the Academies can withstand the passage of time. Types move and are born, and we make newer and newer discoveries. And what I reveal to you, do not conceal. And it is absurd to force our age into the old forms of time past"
[p.2]
"But can cowards spit on their idols. Like we did yesterday!!! I inform you, you will not see the new beauty and the truth, until you make up your minds to spit. [. . .]"
[p.three]
"Now it is essential to give the body shape and lend it a living kind in real life. And this will be when forms emerge from the mass of the painting that is, they will arise in the very same way that utilitarian types arose. Such forms will not be copies of living things in life, but will themselves be a living thing. A painted surface is a true, living kind."
[p.6]
"If for thousands of years previous the artist has tried to approach the depiction of an object as closely as achievable, to present its essence and meaning, then in our era of Cubism the artist has destroyed objects together with their which means, essence and goal. The new image has sprung from their fragments. Objects have vanished like smoke, for the sake of the new culture of art."
[p.8]
"The square is not a subconscious kind. It is the creation of intuitive reason. It is the face of the new art. The square is a living, royal infant. It is the first step of pure creation in art. Before it, there were naive deformities and copies of nature. Our world of art has grow to be new, non-objective, pure. Every thing has vanished, there remains a mass of material, from which the new forms will he built."
[p.eight]
"Any painting surface is a lot more alive than any face from which a pair of eyes and a grin jut out. A face painted in a picture gives a pitiful parody of life, and this allusion is only a reminder of the living. But a surface lives, it has been born. The grave reminds us of a dead individual, a picture of a living one particular."
[p.eight]
"I have arrived at the surface and can take the dimension of a living body. But I shall use the dimension from which I shall generate the new. I have released all the birds from the eternal cage, and opened the gates to the animals in zoological gardens. Might they tear to pieces and devour the remains of your art. And might the freed bear bathe his body in the ice of the frozen north and not languish in the aquarium of boiled water in the academic garden. You could delight in the composition of a painting, but certainly composition is the sentence of death to a figure condemned by the artist to an eternal pose. Your delight is the confirmation of this sentence."
[p.9]
"I say to all: reject love, reject aestheticism, reject the trunks of wisdom, for in the new culture your wisdom is laughable and insignificant. I have united the knots of wisdom and set free the consciousness of color! Eliminate from yourselves swiftly the hardened skin of centuries, so that you could catch us up the more simply. I have overcome the not possible and formed gulfs with my breathing. You are in the nets of the horizon, like fish! We, Suprematists, throw open the way to you. Hurry! For tomorrow you will not recognize us."
[p.ten]
Kazimir Malevich, From Cubism and Futurism to Suprematism: The New Realism in Painting (1915): www.mariabuszek.com/kcai/ConstrBau/Readings/MlevchSupr.pdf
The link is a scan from the regular operate on Art Theory:
Harrison, Charles, and Paul Wood. 2003. Art in theory, 1900-2000: an anthology of altering suggestions. Malden, MA: Blackwell Pub. p173-183)
For availability in a nearby library see worldcat.org
www.worldcat.org/oclc/49260988
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When making use of as Creative Commons please contain a reference to the original news-tableau image: flic.kr/p/gSKibF
– inspirational news picture has this caption: "Netherlands’ Queen Maxima appears at a painting of Russian avant-garde painter Malevich throughout the official opening of the exhibition at Stedelijk Museum in Amsterdam, Friday Oct. 18, 2013. A string of diplomatic incidents is placing a extreme strain on the partnership between the Netherlands and Russia, 1 of its key trading partners. The Dutch royal couple is scheduled to go to Russia on Nov. 9, 2013. (AP Photo/Peter Dejong)"
www.gosanangelo.com/photos/galleries/2013/oct/18/leading-phot…
If you like the picture with the black polygons and yellow dot, you can have it reproduced by hand for just more than ,- in China (it comes with out the original craquelé even though) by means of this internet web site that delivers: "Hand painted oil painting reproduction on canvas of Suprematism 1915 8 by artist Kazimir Malevich as present or decoration by buyer order." How would Malevich have reacted to this Chinese mimicry and what about Walther Benjamin and his discourse "The Work of Art in the Age of Mechanical Reproduction", published in 1936? I hope that the Stedelijk Museum Amsterdam has procured a couple of of these copies as a required documentation of reappearance of ‘manual art’ in the age of ‘digital reproduction’ (or is this Chinese firm faking it and does the painting not come from one of the manual reproduction centres of art in China, but from a printing machine with 3D capacity?)
www.chinaoilpaintinggallery.com/k-kazimir-malevich-c-58_7…
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Other Maxima Zorreguieta associated ‘news tableaus’:
– 19/7/2013: "Zomervakantiefoto Koninklijk Gezin bij monument voor jaarlijkse kosten Koninklijk Huis"
flic.kr/p/fcV44Y
– two/7/2013: "Desi Bouterse Bigi Brasa Fu Bakrakondre / Grote Knuffel voor Nederland: alles vergeven en vergeten"
flic.kr/p/f185WZ
– five/five/2013: "DODENHERDENKING four MEI 2013: "Don’t cry for us Maxima""
flic.kr/p/egEBE2
– 29/1/2013: ""Jorge Zorreguieta niet bij Inhuldiging" Daniel Rey Piuma Gefeliciteerd!"
flic.kr/p/dQAKei
– 5/1/2013: ""Maxima is van ons – Haar vader van de Argentijnen" more than Nederlanders en het gemak van het vergeten van andermans leed"
flic.kr/p/dHTw6G
– four/ten/2012: "Ster Van Qatar en prinses Maxima bezoeken vluchtelingen-tentenkamp in Amsterdam Osdorp, meldt Het Parool zojuist… 4/ten/2012"
– 22/5/2012: "Confessions of Videla published by Ceferino Reato, but we are nevertheless waiting waiting for Zorreguieta to show any remorse"
flic.kr/p/csKrzG
flic.kr/p/dgFiXb
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